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site/how_to/scanning_faq.md

@@ -255,7 +255,7 @@ Now let's look at some samples, and see the kinds of problems you might encounte
 A disclaimer about these samples: specific OCR packages are named, but you should not take these as a fair and comprehensive comparative review of the software. The object of this exercise is to show typical scanning conditions and problems, and the resulting OCR output. OCR packages have quite a range of variance within themselves, may work better on some texts than others, may improve with "training" or different settings, and I have even seen the same OCR package produce different text from the same image with the same settings! Further, since OCR quality is improving rapidly, and packages leapfrog each other in quality, the next version of a particular brand may be vastly better than any of the software mentioned here. Of particular interest in this context is the leap in quality between OmniPage 10 and OmniPage 11. 
 
 #### Scan 1 — A perfect Scan
-Scan 1 is as near to a perfect scan as you can expect in PG work. It comes from The Founder of New France by Charles W. Colby. It is only a 300 dpi image, but given the quality of the print and of the scan, 300 dpi is all we need. Ironically, it comes from Gardner Buchanan, who complains about the age and infirmity of his scanner in his description of how he produces a text. The moral is that you don't have to have the latest equipment to get good results!
+Scan 1 is as near to a perfect scan as you can expect in PG work. It comes from The Founder of New France by Charles W. Colby. It is only a [300 dpi image](/wiki_images/90-Scanning_FAQ_Example_1_300.gif), but given the quality of the print and of the scan, 300 dpi is all we need. Ironically, it comes from Gardner Buchanan, who complains about the age and infirmity of his scanner in his description of how he produces a text. The moral is that you don't have to have the latest equipment to get good results!
 
 It doesn't really need any comment, and all of the packages except gocr rendered it perfectly. Note the fake "space" before the semicolon — if you look closely at the image, you will see why the OCR packages mistook it for a full space, as discussed in the FAQ [V.104] "My book leaves a space before punctuation like semicolons, question marks, exclamation marks and quotes. Should I do the same?" 
 
@@ -288,7 +288,7 @@ the conditions under which he worked.
 #### Scan 2 — A Typical Scan
 Scan 2 is a paragraph from Baroness Orczy's **Castles in the Air**. Notice the ink-splotch above the capital "I" in the first line, which will give our OCR some problems. The page is also unevenly inked elsewhere, and I have scanned it with the brightness level a bit too high. 
 
-I have made two separate scans, one at 300 dpi and one at 400 dpi, both black and white. The page was cleanly cut, and carefully placed straight onto the scanner glass with the cover down. The original print is somewhere between the size of Times New Roman 10 and 11, with capital letters about 2.2 millimeters high, but better and more clearly spaced. These scans are fairly typical for PG work. Because of the relatively large letters, and the reasonable scan, there isn't much difference between the text produced from the 300 dpi scan and the 400 dpi scan.
+I have made two separate scans, one at [300 dpi](/wiki_images/64-Scanning_FAQ_Example_2_300.gif) and one at [400 dpi](/wiki_images/14-Scanning_FAQ_Example_2_400.gif), both black and white. The page was cleanly cut, and carefully placed straight onto the scanner glass with the cover down. The original print is somewhere between the size of Times New Roman 10 and 11, with capital letters about 2.2 millimeters high, but better and more clearly spaced. These scans are fairly typical for PG work. Because of the relatively large letters, and the reasonable scan, there isn't much difference between the text produced from the 300 dpi scan and the 400 dpi scan.
 
 I actually cut this book to get the pages out so that I could feed it through my ADF, but the paper is so thick and textured that it sticks together, and jams when feeding through. The thick, absorbent paper, combined with the uneven inking, means that, no matter how good the scan, any OCR has to contend with the irregular edges of letters, which are clearly visible even at 300 dpi.
 
@@ -527,7 +527,7 @@ Textbridge Millennium Pro:
 #### Scan 3 — Guttering and Smaller Print
 Scan 3 is a paragraph from The Egoist by George Meredith. It was scanned in a dim room, with the scanner cover open and the book held open, flat against the scanner glass. However, the spine was not pressed firmly enough against the glass, and as a result you can see that the words on the left-hand edge (which were near the spine) appear to be slanted, a bit distorted, and not well lit. This problem is familiar to people who scan for PG — everybody gets distracted sometimes, and fails to keep enough pressure on the spine. As you see from the results below, it caused problems for all of the OCR packages on the words affected. If you find this kind of "guttering" regularly in your own scans, where the characters near the spine are not being recognized correctly by your OCR, you need to make sure that your book is down as flat as possible before making a scan. 
 
-I have made two separate scans, one at [300 dpi]() and one at [400 dpi](), both black and white. Because of the smaller size and the guttering problem, the 400 dpi scan made for better quality text in this case.
+I have made two separate scans, one at [300 dpi](/wiki_images/87-Scanning_FAQ_Example_3_300.gif) and one at [400 dpi](/wiki_images/98-Scanning_FAQ_Example_3_400.gif), both black and white. Because of the smaller size and the guttering problem, the 400 dpi scan made for better quality text in this case.
 
 Here's the output from the sample OCR:
 Abbyy FineReader 6: 
@@ -712,7 +712,7 @@ THER Clara nor Vernon appeared at the mid-day table.
 </pre>
 
 #### Scan 4 — A Really Bad Case!
-Scan 4 is a paragraph from Pope's translation of Homer's Odyssey. This is a very, very tough one. It was obviously a cheap printing to begin with, using thin, poor-quality paper in a page size of 6" by 4.5", with capital letters about 1.5 mm high, a little bigger than Times New Roman size 8. Text this small really needs a higher-resolution scan. The book was falling apart when I got it, the ink was fading and flaking, and there was no point in even thinking about trying to scan it flat, so I cut the pages. To add an extra challenge, I scanned the sample with the cover open in a medium-lit room for the [300 dpi]() and [400 dpi]() scans, but closed the cover for the [600 dpi]() to show the best quality I could possibly get. (I was pleased to note that Abbyy, while recognizing the page in the [300 dpi]() and [400 dpi]() images, flashed up a suggestion that I should lower the brightness of the scan.)
+Scan 4 is a paragraph from Pope's translation of Homer's Odyssey. This is a very, very tough one. It was obviously a cheap printing to begin with, using thin, poor-quality paper in a page size of 6" by 4.5", with capital letters about 1.5 mm high, a little bigger than Times New Roman size 8. Text this small really needs a higher-resolution scan. The book was falling apart when I got it, the ink was fading and flaking, and there was no point in even thinking about trying to scan it flat, so I cut the pages. To add an extra challenge, I scanned the sample with the cover open in a medium-lit room for the [300 dpi](/wiki_images/65-Scanning_FAQ_Example_4_300.gif) and [400 dpi](/wiki_images/87-Scanning_FAQ_Example_4_400.gif) scans, but closed the cover for the [600 dpi](/wiki_images/75-Scanning_FAQ_Example_4_600.gif) to show the best quality I could possibly get. (I was pleased to note that Abbyy, while recognizing the page in the 300 dpi and 400 dpi images, flashed up a suggestion that I should lower the brightness of the scan.)
 
 This particular book was one I sporadically tried to produce, without success, on an older scanner and a bundled OCR program over a period of two years, back in 98/99. Eventually, in 2000, it was the first book processed through Charles Franks' Distributed Proofreaders site. The initial text produced by the OCR was very poor, but the human volunteers made up for it! Thanks, guys! Today, just two years later, with a better scanner and better OCR, I could have done it myself, as you will see from the best of the results of the 600 dpi scans. That's how much things have improved recently.
 

site/how_to/sheet_music.md

@@ -0,0 +1,26 @@
+---
+layout: default
+title: PG-Sheet Music How-To
+permalink: /how_to/sheet_music.html
+---
+
+# Sheet Music How-To
+
+The [Project Gutenberg Sheet Music Project]() is devoted to digitizing musical scores for a variety of uses. Most scores so far have been chamber music by composers such as Mozart and Beethoven. This document is to give a brief overview of what is needed to digitize a new score for the Project Gutenberg collection. 
+
+As for any Project Gutenberg submission, the first step is to secure a [copyright clearance](/how_to/copyright.html) US copyright laws make inclusion of items post-1922 problematic. Generally, the best bet is to use a printed score from pre-1923. 
+
+The choice of what software to use for digitization is up to you. There are three main contenders: Finale, Sibelius, and Lilypond. The first two are commercial software products with many features. The last is an open source project (really, a markup format) associated with several different tools. Our experience is that any can be used to create top-quality digital scores, and that each has its limitations. We have also heard about [Muscript](https://pjb.com.au/muscript/) which offers plain ASCII markup for creating scores. 
+
+The output formats are up to you, but we encourage all possible output formats for your digitization method. These may include:
+
+- Lilypond files
+- PDF files with the "printed" score
+- MusicML
+- MIDI
+- Finale's .MUS format
+- Sibelius's .SIB format
+
+There are other software choices, and other formats. When possible, consider making the separate parts available as separate files (i.e., so Violin 1 could have her own score, and Viola could have his own score). 
+
+If you have questions, or ideas about how to proceed, please email [music2010_AT_pglaf.org](mailto:music2010_AT_pglaf.org). Thanks for your interest in contributing to the Project Gutenberg Sheet Music Project! 

site/how_to/tools_faq.md

@@ -0,0 +1,157 @@
+---
+layout: default
+title: PG-Tools FAQ
+permalink: /how_to/tools_faq.html
+---
+
+# Tools FAQ
+This page is no longer actively maintained. Some content may be inaccurate or outdated, including external links. Please visit [Distributed Proofreaders](/how_to/http://www.pgdp.net) to view forums where best practices are actively discussed and maintained. 
+
+<div class="contents">
+<ol>
+<li><a href="#what-useful-programs-are-available-for-project-gutenberg-work">What useful programs are available for Project Gutenberg work?></a>
+<ol class="inner_1">
+<li><a href="#ocr">OCR</a></li>
+<li><a href="#editing">Editing</a></li>
+<li><a href="#checking-and-proofing">Checking and proofing</a></li>
+<li><a href="#working-with-html">Working with HTML</a></li>
+<li><a href="#working-with-images">Working with images.</a></li>
+</ol>
+</li>
+<li><a href="#">What programs could I write to help with PG work?></a></li>
+</ol>
+</div>
+
+## What useful programs are available for Project Gutenberg work?
+These suggestions came largely from a poll of volunteers in June, 2002. The programs listed are a summary of the programs we actually use. There are many other programs out there that can do the same jobs, so don't limit your search just to these. 
+
+### OCR 
+These are the three main commercial packages that volunteers bought specifically for the purpose. In a few cases, people had got older versions of these bundled with their scanners. 
+
+|Abbyy|[http://www.abbyy.com](http://www.abbyy.com)|
+|OmniPage|[http://www.omnipage.com](http://www.omnipage.com)|
+|TextBridge|[http://www.textbridge.com](http://www.textbridge.com)|
+
+These are Free Software packages. Some people who responded to the survey had tried them, but nobody had actually used them to produce a text. 
+
+|Clara OCR|[http://www.claraocr.org/](http://www.claraocr.org)|
+|Gocr|[http://jocr.sourceforge.net](http://jocr.sourceforge.net)|
+
+This one is interesting--you can just submit your image through a web page, and the service will return OCRed text. However, the process of submission, waiting for your text, and then cutting and pasting into your document is slow. 
+
+|DocMorph -- a free, web-based OCR|[http://docmorph.nlm.nih.gov/docmorph/](http://docmorph.nlm.nih.gov/docmorph/)|
+
+Other volunteers use various OCR software that came bundled with their scanner. 
+
+### Editing
+The main answers, given by more than one person, were: 
+
+|AbiWord|[http://www.abiword.org](http://www.abiword.org)|
+|emacs| | 	
+|Microsoft Word| | 
+|vi| | 	
+|Windows WordPad| |
+|Word Perfect| | 	
+
+Other editors mentioned included:
+
+|Crisp for Windows|[http://www.crisp.demon.co.uk/](http://www.crisp.demon.co.uk)|
+|Editpad for Windows|[http://www.editpadpro.com/](http://www.editpadpro.com)|
+|Editplus for Windows|[http://editplus.com/](http://editplus.com)|
+|Foxpro 2.6 for DOS||
+|Metapad|[http://www.liquidninja.com/metapad/](http://www.liquidninja.com/metapad/)|
+|Windows Notepad|
+
+Programs recommended by Apple Macintosh users included: 
+
+|AppleWorks| 	
+|BBEdit Lite|[http://www.barebones.com/products/bbedit_lite.html](http://www.barebones.com/products/bbedit_lite.html)|
+|Microsoft Word| 	
+|Nisus Writer|[http://www.nisus.com/](http://www.nisus.com/)|
+|Text-Edit Plus|[http://hometown.aol.com/tombb](http://hometown.aol.com/tombb)|
+|TextSpresso|[http://www.taylor-design.com/textspresso/](http://www.taylor-design.com/textspresso/)|
+|Add/Strip|[ftp://mirrors.aol.com/pub/info-mac/_Text_Processing/](ftp://mirrors.aol.com/pub/info-mac/_Text_Processing/)|
+
+### Checking and proofing
+For spelling, most people just use the spellchecker built into their editor or word-processor. The *nix users running emacs or vi tended to use variants of the standard Unix spell command, such as ispell or aspell. Mac users have the free spelling checker Excalibur, available from <[http://www.eg.bucknell.edu/~excalibr/excalibur.html](http://www.eg.bucknell.edu/~excalibr/excalibur.html)>
+
+Gutcheck <[http://gutcheck.sourceforge.net](http://gutcheck.sourceforge.net)> was used for format checking, and a few people had written some checking procedures of their own.
+
+### Working with HTML
+In the survey, most volunteers preferred to handcraft their HTML using their normal editor. Those using a word processor edited the HTML as text, rather than composing a word processor file and then Saving As HTML. There was remarkable unanimity on this.
+
+Specific HTML editors that were mentioned for occasional use were: 
+|Mozilla Composer|[http://www.mozilla.org](http://www.mozilla.org)|
+|HTMLKit|[http://www.chami.com/html-kit/](http://www.chami.com/html-kit)|
+|HTMLPad|[http://www.intermania.com/htmlpad/](http://www.intermania.com/htmlpad/)|
+
+However, not all HTML work is about editing, and the following packages were honorably mentioned for other functions. Especially important is Tidy, which is pretty much necessary for all but the most experienced people for quick HTML checking. <http://tidy.sourceforge.net> has the original, and links to versions of Tidy for Windows (Tidy-GUI) and just about all other platforms.
+
+GutenMark:
+Converts Project Gutenberg texts to HTML and TeX.
+<[http://www.sandroid.org/GutenMark/](http://www.sandroid.org/GutenMark/)>
+
+HTMSTRIP by Bruce Guthrie:
+MS-DOS. Converts HTML to text
+<[http://users.erols.com/waynesof/bruce.htm](http://users.erols.com/waynesof/bruce.htm)>
+
+Lynx (lynx --dump):
+Converts HTML to text
+<[http://lynx.browser.org/](http://lynx.browser.org/)>
+
+Dave Raggett's HTML Tidy:
+Checks HTML for correctness, reformats and fixes
+<[http://tidy.sourceforge.net](http://tidy.sourceforge.net)>
+
+W3C html2txt (web-based):
+Converts HTML to plain text.
+<[http://cgi.w3.org/cgi-bin/html2txt](http://cgi.w3.org/cgi-bin/html2txt)>
+
+W3C Validator (web-based):
+The Last Word on the correctness of HTML.
+<[http://validator.w3.org](http://validator.w3.org)>
+
+wget:
+A very neat utility for getting web pages
+<[http://www.gnu.org/software/wget/](http://www.gnu.org/software/wget/)>
+
+### Working with images
+There are two main applications of images in PG--images to be used within texts, like illustrations in HTML, and the management of page images for scanning. These packages are used by volunteers variously for both of those purposes. Their typical use within PG is indicated. "Advanced image processing" packages will permit you to edit and restore damaged images, but for PG work, we mostly just need to manage, convert, resize and crop them.
+
+ACDSEE for Windows
+For image reviewing
+<[http://www.acdsystems.com](http://www.acdsystems.com)>
+
+Adobe Photoshop
+For advanced image processing
+<[http://www.adobe.com/products/photoshop/main.html](http://www.adobe.com/products/photoshop/main.html)>
+
+ImageMagick for *nix, Mac and Windows
+Resizing and format conversion
+<[http://www.imagemagick.org/](http://www.imagemagick.org/)>
+
+Irfanview for Windows
+Image viewing, conversion, cropping and resizing
+<[http://www.irfanview.com](http://www.irfanview.com)>
+
+The Gimp
+For advanced image processing
+<[http://www.gimp.org/](http://www.gimp.org/)>
+
+Picture Publisher
+For advanced image processing
+
+VuePrint Pro
+For viewing images
+<[http://www.hamrick.com/](http://www.hamrick.com/)>
+
+## What programs could I write to help with PG work?
+Look at the programs listed above. Can you write a better version of any of them? Improving OCR and editors constitutes a major challenge, unless you're a world-class expert, but checking and reformatting texts is an area not addressed by large scale programs, and you might contribute there.
+
+At the risk of sounding facetious, the very best thing you can do is figure out ways that more programming can help Project Gutenberg!
+
+A lot of programmers work on PG books, and anything easy has probably already been done. The challenge for programmers who want to write something that will help to produce etexts is not in writing the code; it's in identifying ways that programs can help.
+
+Whatever you do, don't just hang around waiting for someone to ask you to write something, because that's not going to happen. Think up a project, ask volunteers if they would use it, and dig in! Better still, produce a few etexts yourself, using the existing tools, and get a feel for the kinds of problems that new software could help with.
+
+You can join gutvol-p, our mailing list for programmers, to discuss this with other programmers. 

tools_faq.md

@@ -0,0 +1,8 @@
+---
+layout: default
+title: PG-Tools FAQ
+permalink: /how_to/tools_faq.html
+---
+
+# Tools FAQ
+This page is no longer actively maintained. Some content may be inaccurate or outdated, including external links. Please visit Distributed Proofreaders to view forums where best practices are actively discussed and maintained. 

wiki_images/1-HTML_FAQ_Example_0.txt

@@ -0,0 +1,69 @@
+MIDDLETON
+
+by Anthony Eliot
+
+
+TABLE OF CONTENTS
+
+I.    The Roots of the Enmity
+II.   An Unhappy Meeting
+III.  Middleton's Resolve
+IV.   The Election
+
+
+
+
+CHAPTER III
+
+MIDDLETON'S RESOLVE
+
+
+"I shall go down to Wokingham", said Middleton, "a few days 
+before the election, and the Major will stay here. I 
+understand that there will be no other candidate, and _I_
+shall take the seat.
+
+"The Major is a . . . _flaneur_. He has no interest beyond 
+his own advancement. I can buy him for a hundred pounds. 
+_Here_ is his answer."
+
+Wallace wondered at the _hubris_ of his friend, and 
+examined the note Middleton thrust upon him.
+
+"Sir,
+    No consideration would induce me to
+change my resolve in this matter, but I am
+willing to engage your services as my agent
+for a fee of 100 pounds.
+                     H. Middleton"
+
+
+
+CHAPTER IV
+
+THE ELECTION
+
+  Now hatred is by far the longest pleasure;
+      Men love in haste, but they detest at leisure.
+                                    ---- BYRON
+
+On hearing of Middleton's visit, Mr. Wentworth began his 
+preparations. Meeting with Thomas Lake and Riley at the 
+back of the tap-room of The Bull & Gate--where the landlord
+saw to it that they remained undisturbed--he laid out their
+plan of campaign.
+
+"That d---l Middleton shall not have the seat," he raved,
+"not for Lord H------; no, nor for a hundred Lords! We 
+shall see to it that every man's hand is turned against
+him when he arrives."
+
+Lake unfolded a paper from his vest-pocket and smoothed it
+on the table. "Here are the expenses we should undertake."
+       Doran           L13 10s.  
+       Titwell         L 8  7s. 6d.
+       St. Charles     L25
+
+
+
+

wiki_images/10-HTML_FAQ_Example_7.txt

@@ -0,0 +1,85 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1">
+<title>The Project Gutenberg eBook of Middleton, by Anthony Eliot</title>
+</head>
+<body>
+
+<h1>MIDDLETON</h1>
+
+<h2>by Anthony Eliot</h2>
+
+<img src="front.gif" alt="Frontispiece">
+
+<h2>TABLE OF CONTENTS</h2>
+
+<p>
+<b>
+I.    The Roots of the Enmity<br>
+II.   An Unhappy Meeting<br>
+III.  Middleton's Resolve<br>
+IV.   The Election
+</b>
+</p>
+
+
+
+
+<h2>CHAPTER III</h2>
+
+<h2>MIDDLETON'S RESOLVE</h2>
+
+
+<p>"I shall go down to Wokingham", said Middleton, "a few days 
+before the election, and the Major will stay here. I 
+understand that there will be no other candidate, and <i>I</i>
+shall take the seat.</p>
+
+<p>"The Major is a . . . <i>fl&acirc;neur</i>. He has no interest beyond 
+his own advancement. I can buy him for a hundred pounds. 
+<i>Here</i> is his answer."</p>
+
+<p>Wallace wondered at the <i>hubris</i> of his friend, and 
+examined the note Middleton thrust upon him.</p>
+
+<p>"Sir,<br>
+&nbsp;&nbsp;No consideration would induce me to
+change my resolve in this matter, but I am
+willing to engage your services as my agent
+for a fee of &pound;100.<br>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;H. Middleton"</p>
+
+
+
+<h2>CHAPTER IV</h2>
+
+<h2>THE ELECTION</h2>
+
+<p>&nbsp;&nbsp; Now hatred is by far the longest pleasure;<br>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Men love in haste, but they detest at leisure.<br>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;---- BYRON</p>
+
+<p>On hearing of Middleton's visit, Mr. Wentworth began his 
+preparations. Meeting with Thomas Lake and Riley at the 
+back of the tap-room of The Bull &amp; Gate&mdash;where the landlord
+saw to it that they remained undisturbed&mdash;he laid out their
+plan of campaign.</p>
+
+<p>"That d---l Middleton shall not have the seat," he raved,
+"not for Lord H&mdash;&mdash;&mdash;; no, nor for a hundred Lords! We 
+shall see to it that every man's hand is turned against
+him when he arrives."</p>
+
+<p>Lake unfolded a paper from his vest-pocket and smoothed it
+on the table. "Here are the expenses we should undertake."<br>
+&nbsp;&nbsp;&nbsp;&nbsp;Doran           &pound;13 10s.<br>  
+&nbsp;&nbsp;&nbsp;&nbsp;Titwell         &pound; 8  7s. 6d.<br>
+&nbsp;&nbsp;&nbsp;&nbsp;St. Charles     &pound;25<br>
+</p>
+
+
+</body>
+</html>
+
+

wiki_images/19-20071121201902!ImageMap_Test_Map.map

@@ -0,0 +1,6 @@
+<map name="map1">
+  <p>Navigate the site:
+  <a href="wiki/Main_Page"             shape="rect" coords="0, 0, 50%, 50%">Main Page</a> |
+  <a href="wiki/Special:Recentchanges" shape="rect" coords="50%, 50%, 100%, 100%">Recent Changes</a>
+  </p>
+</map>